The Visual Palette: Defining Your Photographic Style, by Brian Matiash
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The Visual Palette: Defining Your Photographic Style, by Brian Matiash
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With just a rudimentary understanding of exposure and composition, one can capture fairly competent images of attractive subjects. But is that image remarkable in any way? Does it really say anything? How does one capture, edit, and share images that stand out from the crowd and express a distinct vision of the world? How do photographers develop and define their own voice?In The Visual Palette: Defining Your Photographic Style, photographer Brian Matiash outlines and illustrates mindsets, approaches, and techniques that photographers can implement in order to apply their own unique stamp on their photos. Matiash concentrates on the ability to train oneself to “see differently”—whether you’re behind the camera, editing an image, or sharing your photo with others—and this book explores ways to help photographers do just that. Matiash examines his own path to creativity and personal style and then encourages readers to use that knowledge gained to forge their own paths.What sets The Visual Palette apart is that Matiash considers the entire image-making process, including both image capture and post-processing, when discussing how to develop a photographic style and express one’s vision. Throughout photography’s history, astute photographers always knew there were two crucial opportunities to express oneself: during the capture and in the darkroom. As Ansel Adams said, “The negative is comparable to the composer's score and the print to its performance.” In that same spirit, The Visual Palette considers both image capture and post-processing as equal partners in the creation of the image and the expression of one’s vision. The book is organized into three sections: composition, post-processing (what Matiash calls “Stylization and Editing”), and sharing. Each chapter tackles a concept, such as compositional rules (and when to break them), then Matiash shares “My Story,” with a specific example of that concept in action in his own work. Finally, there is a “Your Story” segment where, with prompts and exercises, Matiash empowers and motivates the reader to examine their own work or practice a new technique in order to further develop their own photographic style. Beautifully illustrated with Matiash’s photographs, the book covers topics that range from fundamental to creative. The ideal reader is a beginning to intermediate photographer, including photography enthusiasts, hobbyists, advanced amateurs, and any and all photographers interested in landscape, nature, urban, and architectural genres of photography.
The Visual Palette: Defining Your Photographic Style, by Brian Matiash- Amazon Sales Rank: #629530 in eBooks
- Published on: 2015-10-09
- Released on: 2015-10-09
- Format: Kindle eBook
Review “I’ve never met anyone who has the exceptional writing and storytelling abilities to help others along their photographic journey like Brian does. If you’re a photographer at heart, you'll instantly connect with the candid discussions, passion, focus, and transparency that Brian shares throughout these pages. He shows how greatness in photography results from connecting the little things we do (things that just about anyone with a camera can do) to the big goal that drives all of us as we pick up our camera: creating photos that are meaningful and make us proud.” ― Matt Kloskowski, Landscape and Outdoor Photographer“The Visual Palette is not first a book about making better photographs, or even good photographs, though it is also that. It is primarily a book about making photographs that are yours. It’s an important distinction because more people own and use cameras now than ever before. We do not need more photographs; we need more authentic photographs. The Visual Palette will set you on the path to making better photographs by first making photographs that are distinctly your own.” ― David duChemin, Photographer, Author of Within the Frame“The only book that you need to take your photography to the next level. Written, of course, by someone who is colorblind. Go figure!” ― Guy Kawasaki, Chief evangelist, Canva, and author of The Art of the Start 2.0
About the Author Brian Matiash is a Portland-based photographer, author, and speaker who has been pursuing and growing his particular brand of imagery since 1996. Matiash has an obsession with long-exposure photography, fisheye lenses, and neutral density filters. Alongside his photography, Matiash’s passion is to help others help themselves with their own photography pursuits. He is a regular contributor to magazines such as Photoshop User and Photoshop Elements Techniques, as well as to the popular Photofocus photography blog. He is also proud to be a member of Sony’s Artisans of Imagery. Visit his work and blog at brianmatiash.com.
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Most helpful customer reviews
1 of 1 people found the following review helpful. The Visual Palette a Photographer's Personal Creative Journey By Kevin Lenaghan New jersey Photographer The Visual Palette, Defining Your Photographic Style is a an inspirational guide written in a conversational tone by photographer Brian Matiash detailing his creative journey which he describes as without a destination. Rather then a technical guide to taking and editing photos, the author describes a creative process for assessing a photo subject, composing and editing an image. The book is divided into three sections: composition; post processing and stylization; and sharing your work and your brand.The composition section offers three rules: the rule of thirds; the construct of depth; and leading lines In addition general guidelines are provided including the preparation of equipment research of locations and some tools such as infrared filters and high dynamic range, lensbabies special effect lens. In the post-processing and stylization section the author provides general guidelines and recommends some tools for fixing perspective, color problem fixes, eliminating dirt spots, threads, etc.. The author also discusses techniques such as split toning, texture blending and black and white conversions. Novice and intermediate photographers may learn of some techniques. But they may need supplement this information with technical reading. To provide in depth coverage of the techniques would a book at least twice the size (the book is 216 pages.)The part on sharing your work and brand is aimed at professional photographers who want to differentiate themselves from their peers perhaps this is needed in certain niches of the photographic market and show their unique vision The quality pictures throughout the book convey that the author has clearly established his style and vision.The book achieves what sets out to accomplish that is provide the perspective of a photographers in his personal journey with this craft and as an inspiration to photographers who seek to hone their creative vision. The author succinctly describes photography techniques that could be considered when creating and processing images. Professional photographers may find the discussions of branding and style worth considering.
9 of 13 people found the following review helpful. Poor Style By Conrad J. Obregon This book is divided into three sections: composition; post processing and stylization; and sharing your work and your brand. Unfortunately, for the beginning and intermediate photographers at whom the book is aimed, the book is light weight in content.The part on composition offers three rules: the rule of thirds; the construct of depth; and leading lines. Thereafter, the part offers general guidelines that are not much help, like advice to look at the world, and to take a “gimme shot” when one doesn’t have any clear idea how to capture a subject.Similarly in the post-processing section there are a few tools the author recommends but no real explanation of how to apply them.The part on branding left me at a loss. Branding, in my mind, refers to marketing. I think the author was suggesting that if the photographer uses common elements in his or her photographs, people will recognize the work as being created by the particular artist. Perhaps for a commercial artist branding is important, but not for the beginners and intermediates at whom this book is aimed.The main problem is the implicit idea that the photographer should worry about creating a style. I believe that if a photographer thinks about creating good images, he or she will develop a style without a special effort. If the photographer’s image are good, even without style, that should be sufficient.Woven throughout the book are personal anecdotes about how the author developed his own style, which I did not find interesting. He clearly does have a style, which seems to be looking up at tall objects and shooting moving water in slow motion. However the printing of many photographs across the gutter where important content was in the gutter worked against appreciation of his style.There was a misuse of language throughout the book. For example, by definition, quadrants are formed when one vertical line intersects one horizontal line in an image. Where the pattern of lines is a tic-tac-toe pattern, as in a rule of thirds pattern, the corners are not quadrants. At least one illustration actually worked against the lesson point, when the verticals in a shot to illustrate rectilinear photographs actually had been overcorrected and leaned outwards. Small points add up to needless distraction.The content here might have been suitable for several short articles. It didn’t merit a book.
1 of 2 people found the following review helpful. Find your person style By Lester A. Lefton This book has a few key conceptual ideas that are succinct and well-agreed upon by the photography community. They are expressed in a personal style, explained by the author with anecdotes and his personal history and evolution. Ideas are well-illustrated with the author's photography. The book is an easy read, not technical, and mostly conceptual in terms of what he is trying to say. He presents his voice his way. Neither revolutionary, nor controversial, Matiash's book will appeal to users who are trying to find the own visual style and voice, as he has done.
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