Brand, by Henrik Ibsen
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Brand, by Henrik Ibsen
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Brand is a play by the Norwegian playwright Henrik Ibsen. It is a verse tragedy, written in 1865 and first performed in Stockholm, Sweden on 24 March 1867. Brand was an intellectual play that provoked much original thought. Brand is a priest who wants to take consequence of his choices, and is therefore deeply bound to doing the "right thing". He believes primarily in the will of man, and lives by the device "all or nothing". To make compromises is therefore difficult, or by his moral standards questionable at best. His picture of God is clearly derived from the Old Testament. His beliefs render him lonely in the end, as people around him, when put to the test, as a rule cannot or will not follow his example. Brand is arguably a young idealist with a main purpose: to save the world, or at least Man's soul. His visions are great, but his judgment of others may seem harsh and unfair. The word "Brand" means fire in Danish, Norwegian and Swedish.
Brand, by Henrik Ibsen- Amazon Sales Rank: #3722294 in Books
- Published on: 2015-06-17
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .69" w x 6.00" l, .91 pounds
- Binding: Paperback
- 306 pages
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0 of 0 people found the following review helpful. Still Relevant By Rod Lampard Ibsen deals with a lot of issues here. The reader cannot avoid its 19th Century historical context. Workers rights, class, authority, rebellion, idealism, cultural Christianity and the very real Christian question against apathy, complacency and pride, that critiques them. Brand is the protagonist, reaching for his Kantian-esk y'all or nothing's idealism that ends up clouding even his own quest for authenticity as a Christian. His anti-idolatry idealism itself becomes an idol. Although different, the plot is closer to Hawthorne's 'Celestial Railroad' than Bunyan's, 'A Pilgrim's Progress.' Its value rests in the content of Ibsen's characters dialogue and the flow of events. Written in an era when man set out to conquer and overthrow God, myth, monster and mountain, this dark play still finds traction as an indictment on the arrogance in humanities willful rejection of Grace. It shows, if anything, that any progress which is severed completely from healthy tradition, for the sake of progressive ideology and compromise, is bound to end badly.
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