Dangerous Rhythm: Why Movie Musicals Matter, by Richard Barrios
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Dangerous Rhythm: Why Movie Musicals Matter, by Richard Barrios
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Singin' in the Rain, The Sound of Music, Camelot--love them or love to hate them, movie musicals have been a major part of all our lives. They're so glitzy and catchy that it seems impossible that they could have ever gone any other way. But the ease in which they unfold on the screen is deceptive. Dorothy's dream of finding a land "Somewhere Over the Rainbow" was nearly cut, and even a film as great as The Band Wagon was, at the time, a major flop. In Dangerous Rhythm: Why Movie Musicals Matter, award winning historian Richard Barrios explores movie musicals from those first hits, The Jazz Singer and Broadway Melody, to present-day Oscar winners Chicago and Les Misérables. History, film analysis, and a touch of backstage gossip combine to make Dangerous Rhythm a compelling look at musicals and the powerful, complex bond they forge with their audiences. Going behind the scenes, Barrios uncovers the rocky relationship between Broadway and Hollywood, the unpublicized off-camera struggles of directors, stars, and producers, and all the various ways by which some films became our most indelible cultural touchstones -- and others ended up as train wrecks.Not content to leave any format untouched, Barrios examines animated musicals and popular music with insight and enthusiasm. Cartoons have been intimately connected with musicals since Steamboat Willie. Disney's short Silly Symphonies grew into the instant classic Snow White, which paved the way for that modern masterpiece, South Park: Bigger, Longer, & Uncut. Without movie musicals, Barrios argues, MTV would have never existed. On the flip side, without MTV we might have been spared Evita. Informed, energetic, and humorous, Dangerous Rhythm is both an impressive piece of scholarship and a joy to read.
Dangerous Rhythm: Why Movie Musicals Matter, by Richard Barrios- Amazon Sales Rank: #2396611 in Books
- Published on: 2015-10-01
- Released on: 2015-10-01
- Original language: English
- Number of items: 1
- Dimensions: 6.10" h x .70" w x 9.10" l, .95 pounds
- Binding: Paperback
- 290 pages
Review "Barrios knows this material inside out, which allows him to step back to make often inspired observations." -- New York Times Book Review
"[Barrios] writes about his subject authoritatively ...and always directly. He does so with an absence of heavy theorizing and an abundance of strong opinions. Part of what makes Dangerous Rhythm enjoyable to read is its idiomatic prose." --Wall Street Journal"[A] hugely readable, authoritative meditation on the Hollywood musical." -- Philadelphia Inquirer "Simultaneously a rigorous dissection of and a valentine to the movie musical." -Milwaukee Journal Sentinel"Few people can discuss early-talkie musicals and television's Glee with equal authority. Richard Barrios sees it all as part of a continuum, which is what makes his wide-ranging book so relevant. His sense of humor and lively prose style transform a scholarly treatise into a highly enjoyable reading experience." --Leonard Maltin, film critic and historian. "Barrios knows his stuff, and musical film aficionados are well advised to get a hold of Dangerous Rhythm. He combines vast knowledge of the subject with tangy writing, resulting in a hard-to-put-down read." --Matthew Kennedy, author of Roadshow! The Fall of Film Musicals in the 1960sAbout the Author Richard Barrios worked in the music and film industries before turning to film history with the award-winning A Song in the Dark and with Screened Out, which was the basis of a film series by Turner Classic Movies. He lectures extensively and appears frequently on television and in film and DVD documentaries. Born in the swamps of south Louisiana and a longtime resident of New York City, he now lives in western New Jersey, near Philadelphia
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10 of 11 people found the following review helpful. A Kaleidoscopic Examination of Movie Musicals By Ron Titus Not satisfied with just writing about the birth of musical films (A Song in the Dark - 1995), Richard Barrios looks at the importance of movie musicals of all types via a kaleidoscope of lenses. In twelve short chapters, an introduction, and epilogue, he discusses the past and future of movie musicals, the origination of the concept of the musical, who have been the stars, the role of music versus plot, etc., not neglecting animated musicals and television musicals.The book and the chapter titles all come from song titles or lyrics sung in a movie musical which is an example of how Barrios infuses a quirky viewpoint into this series of essays. He also provides informative footnotes that add interest without slowing the reader with extraneous information. Each chapter is a different lens on movie musicals with focus on a specific aspect such as animated musicals or musicals on television; the reader is not compelled to read the chapters in sequence, but is free to skip to what interests them.Dangerous Rhythm reads easily and has appropriate and interesting illustrations. Barrios writes well for the general reader, providing a list of his sources but not documenting enough to be considered as a serious scholarly tome. He has his own lists of movie musicals he like and dislikes. As is often the case in these types of books, he does miss certain musicals. How important that is depends upon your love for that musical.In the end, Dangerous Rhythm provides provides plenty of fodder for discussions. Read it, and start yours!
5 of 5 people found the following review helpful. Dangerous Rhythm Matters! By Larry D I am a lifelong fan of the Hollywood musical. I have believed movie musicals matter since I was 10 years old. And while I have not written an opinionated critical history of the movie musical, if I were to write one, I could only hope to come up with something as enjoyable and thought-provoking as Dangerous Rhythm. Mr. Barrios' obvious affection and respect for the genre is apparent on every page. He's got 87 years to cover and he makes no attempt to mention every film, every performer. If you, too, think movie musicals matter, you will no doubt find a favorite movie conspicuous by its absence. But make no mistake, he gets the high points - the movies important for artistry, financial success, influence or any combination thereof, are given their due; from "The Jazz Singer" and "Love Me Tonight" to "The Wizard of Oz" and "Singin' in the Rain", with a tip of the hat to spectacular flops like Jolson's "Say It With Song" and the Village People vehicle "Can't Stop the Music". While we don't see eye-to-eye on everything (He loves Maurice Chevalier, whom I cannot stomach), even where we disagree, Mr. Barrios' arguments are always well articulated and reasonable. (I still don't care for Chevalier, but I understand why Mr. Barrios does.) I smiled and whispered "Yes!" when "the joyous and under-appreciated Donald O'Connor" was finally given some of the respect he so richly deserves. (Come on, he wipes the floor with Gene Kelly in the "Moses Supposes" number.) And I had an "Aha!" moment when I learned that the not-untalented but utterly blank Lucille Bremer, inexplicably starred in far too many big-big MGM musicals in the 1940s and 50s, was a "friend" of uber-producer Arthur Freed. Seldom have I read a more enjoyable combination of scholarship and dish.
5 of 5 people found the following review helpful. Fascinating Rhythm By Moshe Bloxenheim Author Richard Barrios has always had a knack for providing the history and the stories of different areas of the American Film Industry in ways that are informative, fascinating and engaging. "Dangerous Rhythm" continues in this vein - not so much as a historical summing up, but instead Mr. Barrios gives a very thoughtful look at the Hollywood Movie Musical and its place in both the film industry and in American culture. Different musicals are examined and often compared with films from other studios and times to show the way Hollywood developed (or mishandled) ideas, how different connections, events and trends could bring success or disaster and why the Movie Musical has always been a very unique creation.While I certainly must praise Mr. Barrios' thoroughness in covering his subject, I really appreciate his ability to share his enthusiasm with the reader. Even the footnotes have a level of zest which demonstrates that "Dangerous Rhythm" is no mere book of scholarly observation but a good, solid and entertaining work that can be read and reread with pleasure. There are going to be many films that I will now watch in a whole new light.
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