Terminus (NHB Modern Plays) (Abbey Theatre Playscript Series), by Mark O'Rowe
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Terminus (NHB Modern Plays) (Abbey Theatre Playscript Series), by Mark O'Rowe
Best Ebook Terminus (NHB Modern Plays) (Abbey Theatre Playscript Series), by Mark O'Rowe
A blackly comic vision of Dublin infested with demons, from the author of Howie the Rookie.
Edinburgh Fringe First Award 2008
Three people are ripped from their daily lives and catapulted into a fantastical world of singing serial killers, avenging angels and lovesick demons.
Hold tight as the ordinary turns extraordinary in Mark O'Rowe's urban fantasy.
'hilarious, stunning, surprisingly touching and enormously satisfying... a fantastic piece of writing' - Irish Times
'dazzling... O'Rowe is expanding his language and dramatic form as far as they can go' - Guardian
'gripping, grotesque and deliriously good... [Terminus] makes O'Rowe pretty much the most exciting contemporary Irish playwright' - Sunday Tribune
Terminus (NHB Modern Plays) (Abbey Theatre Playscript Series), by Mark O'Rowe- Amazon Sales Rank: #874893 in eBooks
- Published on: 2015-06-20
- Released on: 2015-06-20
- Format: Kindle eBook
Review 'hilarious, stunning, surprisingly touching and enormously satisfying... a fantastic piece of writing' Irish Times 'dazzling... O'Rowe is expanding his language and dramatic form as far as they can go' Guardian 'gripping, grotesque and deliriously good... [Terminus] makes O'Rowe pretty much the most exciting contemporary Irish playwright' Sunday Tribune
About the Author MARK O’ROWE was born in Dublin, where he still lives. Earlier plays include From Both Hips, The Aspidistra Code, Howie the Rookie (George Devine Award), and Made in China, all from NHB. He also wrote the film, Intermission, starring Colin Farrell and Boy A, starring Andrew Garfield (BAFTA Best Actor Award 2008).
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Most helpful customer reviews
2 of 2 people found the following review helpful. Fantastic By BenRe This play was phenomenal, really left me wanting to see it performed live. O'Rowe's openended rhythmic writings allow for an easy read, allowing the reader to go through at a solid place, only to be stopped dead in their tracks by surprising acts of violence and encounters with the supernatural that are both original and refreshing. While rhyming does on occasion seem a bit forced, the poetic nature of the play sinks into the back of your head in a way that, like Shakespeare, unless you're actively looking for it will just meld together into a flowing work that will leave you affected on several emotional levels
1 of 1 people found the following review helpful. Provocative...intense...heightened language...not for the faint of heart.... By flandog A 3 character play set in Dublin. It's almost entirely a series of monologues. Think magical realism meets urban angst.
0 of 1 people found the following review helpful. An Amazing Work By David Skeele I first encountered this play in the theatre in 2008 at the Edinburgh Fringe Festival, in a beautifully-realized production by the Abbey Theatre. Three gradually intertwining stories that slowly tightened their grip on the audience, with a crescendo that left many weeping with the savage beauty of it. Though some critics complained about the static nature of the production (three actors standing on fragmented, glass-shard shaped platforms), those critics were entirely missing the point. This play is a feast of words, a tribute to the unalloyed power of words, and as such it would have been ruined by any emphasis on visual spectacle or even too much physical action. The playwright somehow fuses contemporary Irish slang, free verse and even rhyme and puts it in the mouth of (more or less) realistic modern characters. (I say more or less because there are flights into a kind of "magic realism"--and that's most definitely a good thing.)Do yourself a favor and read this--or better yet, have the incredible fortune to find a stunning production of it someplace. Absolutely, hands-down one of the most glorious experiences I've ever had in the theatre.
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