The Genius of the System: Hollywood Filmmaking in the Studio Era, by Thomas Schatz
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The Genius of the System: Hollywood Filmmaking in the Studio Era, by Thomas Schatz
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At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's tradional blend of business and art. This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.
The Genius of the System: Hollywood Filmmaking in the Studio Era, by Thomas Schatz- Amazon Sales Rank: #123298 in eBooks
- Published on: 2015-06-02
- Released on: 2015-06-02
- Format: Kindle eBook
From Publishers Weekly In this original, monumental survey of Hollywood's film studios during their most glorious period, Schatz, professor at the University of Texas and author of Hollywood Genres , in contrast with the directorial theories of Andrew Sarris and other film historians, describes the creative give-and-take, the symbiotic accord between creators and front offices, in which the styles of writers, directors and stars fused with studio management structures, production operations, talent pools, narrative traditions and market strategies. Analytically and with anecdote examining the financial as well as creative workings of MGM, Warner Bros., Para mount, Universal and RKO in the era of Thalberg, Selznick, Zanuck and Hitchcock, Schatz demonstrates that at the heart of each studio's house style were the star-genre formulations (Bette Davis melodramas, Humphrey Bogart thrillers, Boris Karloff horror films, Gene Kelly musicals) that nowadays, as they are recirculated and rediscovered by young viewers, are all that remain of the great studios and of the vigorous, dynamic men and women who sustained them. Photos. Copyright 1988 Reed Business Information, Inc.
From Library Journal Several other histories of Hollywood's studio system have already been published, including Robert Stanley's The Celluloid Empire (LJ 5/15/78), Douglas Gomery's The Hollywood Studio System (LJ 1/86), and Ethan Mordden's The Hollywood Studios (LJ 5/15/88). All these books have some value, but Mordden and Schatz win top honors. Larger libraries should purchase both books, as they complement each other. Mordden's primary interest is aesthetics; Schatz's is business. Mordden's writing is sometimes brilliant, while Schatz's is only good, but Schatz has obviously done a lot of research, and he puts it to good use in a very readable book. John Smothers, Monmouth Cty. Lib., Manalapan, Copyright 1989 Reed Business Information, Inc.
Review
“There was much to criticize in the Hollywood system, and much to marvel at. But one can't do either without the means to make sense of it. This book provides that.” ―Elizabeth Kendall, The New York Times Book Review
“Brings the pace and confusion and inspiration of filmmaking to life...Schatz has made a lasting contribution to film history.” ―Directors Guild of America Newsletter
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Most helpful customer reviews
28 of 28 people found the following review helpful. Just an excellent book on the subject By Robert McManus Prof. Schatz does not suffer from the scholar's disease of academic-speak and writes a book that clearly demonstrates his expertise on the studio structure. Most books I have read extended the view of the outsider looking in at the star system and not the economics of the studios. "Genius of the System" chronicles the history of the studio's business, that is to say the economics and the people behind the economics.If you want to read about the business structure of Hollywood during its beginnings, this is the book for you. I cannot recommend it enough.
22 of 24 people found the following review helpful. Hollywood's golden age is richly revealed and explained. By A Customer An easy to read writer, Thomas Schatz details how the studio system worked from the silent era to its final collapse in the 1960s.He illuminates both the art and the business of films, with keen analysis of how producers, directors and screenwriters created such fine art (and rich profits) -- especially the producers, who are more the authors of Hollywood films than any other group.He convincingly portrays MGM's Irving Thalberg as a genius of art and commerce and MGM's Louis B. Mayer as a clod (except when dealing with difficult stars).Schatz offers telling portraits of many others who did their best work under the constraints of the Hollywood system. He details the major studios' styles and how they evolved over the years. It's clear he has read file cabinets of documents, from endless -- but revealing -- memos to how much the stars made(!).He also puts the film industry in social and cultural context; he even says the anti-communist witch hunts of the 1940s and 1950s were a disguised form of anti-semitism.In the end, Schatz offers a convincing alternative to the auteur theory.
8 of 8 people found the following review helpful. Fascinating, but buyer beware By R. Deniston Schatz's book is well-rounded and nicely structured. It was a good decision on his part to take a round-robin focus on each studio instead of trying to mix them together, as some authors have. All of the studios had different ideas about what they wanted to achieve in their work, so this approach makes sense. Twentieth-Century Fox and Paramount were left out completely, but Schatz was clearly trying to choose one studio of each type of size and characteristic so as to keep control of the scope of the book. I did find a glaring error--the finale to "Babes in Arms" was not the minstral number, but the song, "God's Country." In a book of this size, or of any size for that matter, errors will creep in, so it isn't the kiss of death. However, if the reader is familiar with MGM musicals, it may be a small turn-off. Also, I wasn't satisfied with the epilogue. Instead of citing examples of the comeback of the studio system (LucasFilm, for instance), Schatz simply outlines the creative decline of Alfred Hitchcock. Huh. Slight shortcomings aside, this book is very entertaining. I wish my film studies textbooks had been this interesting.
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