Chinese Propaganda Posters, by Stefan R. Landsberger, Anchee Min, Duo Duo
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Chinese Propaganda Posters, by Stefan R. Landsberger, Anchee Min, Duo Duo
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The Communist superhero: Mao’s starring role in Chinese propaganda art With his smooth, warm, red face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People’s Republic in 1949 and the early 1980s.Chairman Mao, portrayed as a stoic superhero (a.k.a. the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and “masculinized” women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together.This book brings together a selection of colorful propaganda artworks and cultural artifacts from Max Gottschalk’s vast collection of Chinese propaganda posters, many of which are now extremely rare. About the Series:Bibliotheca Universalis — Compact cultural companions celebrating the eclectic TASCHEN universe at an unbeatable, democratic price!Since we started our work as cultural archaeologists in 1980, the name TASCHEN has become synonymous with accessible, open-minded publishing. Bibliotheca Universalis brings together nearly 100 of our all-time favorite titles in a neat new format so you can curate your own affordable library of art, anthropology, and aphrodisia.Bookworm’s delight — never bore, always excite! Text in English, French, and German
Chinese Propaganda Posters, by Stefan R. Landsberger, Anchee Min, Duo Duo- Amazon Sales Rank: #727202 in Books
- Published on: 2015-10-29
- Original language: German
- Number of items: 1
- Dimensions: 7.90" h x 1.60" w x 5.80" l, .84 pounds
- Binding: Hardcover
- 608 pages
About the Author Stefan R. Landsberger holds a PhD in Sinology from Leiden University, Netherlands. He is a Lecturer at the Documentation and Research Centre for Modern China, Sinological Institute, Leiden University, and one of the editors of the journal China Information. Landsberger has published extensively on topics related to Chinese propaganda and he owns one of the largest private collections of Chinese propaganda posters in the world.Anchee Min was born and raised in Mao’s China. A staunch party supporter, she was awarded the lead role in a film to be made by Mao’s wife, Jiang Ching, but the death of Mao soon after caused the film to be cancelled. In 1984, Min emigrated to the United States and later wrote the bestselling biography Becoming Madame Mao.Poet and fiction writer Duo Duo was born in Beijing, China in 1951 and emigrated in 1989, later settling in the Netherlands, where he became a writer in residence at the Sinological Institute of Leiden University. He is considered one of the most outstanding poets to emerge after the Cultural Revolution.
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Most helpful customer reviews
9 of 9 people found the following review helpful. A very nice book with FLAWS By A Chinese Art Collector It is a very nice book about Chinese Propaganda Posters. Like most Taschen publications, the majority of this book contain are the posters, which makes it a great reference for Chinese Propaganda Posters.However, most of the posters that collected by this book were produced in 1970's, which missed most political campaigns occur in 1950's and 1960's, such as the Great Leap Forward and the Great Culture Revolution. This greatly limits the historic value of this book! Remember the most horrible propaganda and the massacres of China occur in 1950's and 1960's, which should not be missed!!! In addition, the artistic styles of the posters that produced in 50's and 60's are more aggressive, visually brutal and violent than those of 70's. The whole book looks like a "purified and peaceful" graphic book, which conceal the true (inhuman) image of China political campaigns.I hope the author can include more posters of 50's and 60's!
5 of 5 people found the following review helpful. Alluring visions of a false utopia By Karl Janssen There is more than one book with the title Chinese Propaganda Posters, and Amazon tends to liberally apply reviews to books with the same title, so let me start by clarifying that I am reviewing the 2011 edition of the volume published by Taschen with the subtitle "From the Collection of Michael Wolf." The original edition was published in Germany in 2003. This 2011 edition features side-by-side text in three languages: English, German, and French.Even if you don't agree with the ideology of a particular regime, looking at its propaganda art can be a moving experience. That is made abundantly clear in this gorgeous book that reproduces over 300 propaganda posters from Communist China, ranging roughly from the 1950s through the 1980s. These powerful and attractive works of popular art deliver imagery that is rarely seen in the art galleries of capitalist countries. Only in the occasional work of public art or community murals might we see portrayed such uncynically positive imagery--paeans to agriculture, industry, labor, and technology; celebrations of natural beauty and the human spirit; and illustrations of the benefits of hard work and diligent study. Of course, in the case of China under Mao Zedong, most of the utopia that's depicted is a lie. Yet, the artists of America and Europe--where it seems art must always be reacting against something--could learn a lot from the art of socialist and communist societies--where the purpose of art is to promote a better world, even if the reality falls far short of the ideal. Those who enjoy representational painting will appreciate the style of socialist realism in which these posters are painted. For the most part they are quite skillfully executed, even when the "realism" doesn't necessarily reflect reality.The dual feeling of admiration and disgust inspired by these images is aptly expressed in two brief essays by Chinese writers Anchee Min and Duo Duo. A third essay by Stefan Landsberger, a collector and scholar on the subject, gives an overview of the history of the propaganda poster in China. Beyond that, the text of the book consists entirely of captions and brief quotes from Mao. The captions, for the most part, are strictly translations of the Chinese text in each image, along with the name of the artist, date, and print run of the poster. In rare cases there may be a footnote identifying a person, place, or concept depicted in the poster. The book would have benefited greatly from more of such supplementary historical context. Despite providing a brief historical chronology, the editor assumes a level of knowledge in Chinese history and culture that the typical American or European art lover is unlikely to possess.Taschen, the publisher, is known for producing sumptuous art books, and this one is no exception. Each and every image is beautifully reproduced, though they are frequently cropped to fit the page. Any deficiencies of the book are simply the low points of Wolf's collection. The posters depicted in the book are almost all four-color reproductions of color paintings. With the exception of one image on page 9, no coverage is given to the Chinese tradition of block printed posters in black and red. Wolf has an evident fondness for depictions of cherubic children, a subject matter which unfortunately does not evince the most aesthetically pleasing results. The lovable little imps are often endowed with clumsily rendered, almost adult faces, the repetition of which produces an effect similar to a creepy doll collection. Overall, however, this book is a welcome feast for the eyes to those who enjoy this brand of imagery. Though some additional interpretive text would have been welcome, it is an excellent collection of images.
2 of 2 people found the following review helpful. Surreal, amusing, scary, beautiful, and awesome By R. Mutt I regularly peruse this book as it's fun to jump down the rabbit hole of socialist art, which is a bizarre mix of gorgeous technique and complete lack of subtlety. A child happily sits in the barber's chair with an AK-47 in his lap. People dance in the streets, waving copies of "Selected Works of Mao Zedong, Volume 5" in the air. The text on the posters offers such sagely advice as "People of the world unite and defeat the US aggressors and all their running dogs!" and "Acting in accordance with Chairman Mao's instructions means victory."I've purchased three copies and plan to acquire more. They are excellent quality, very inexpensive, make excellent gifts, and best of all they completely freak people out. What more could you want?
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