LOAC Essentials Volume 7: Tarzan The Original Dailies (Loac Essentials Hc), by Hal Foster, Rex Maxon
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LOAC Essentials Volume 7: Tarzan The Original Dailies (Loac Essentials Hc), by Hal Foster, Rex Maxon
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“This is deeply personal, classic adventure at its finest. It is also historically important work inside the world of newspaper comics. Above all it is moving and deeply beautiful art illustrating stories of risk, choices, loss and life.” - New York Journal of BooksThree amazing firsts hit the newspaper strip pages in January 1929: the introduction of Buck Rogers as a Sunday, the debut of Edgar Rice Burroughs's Tarzan as a daily strip, and the first newspaper strip art by Hal Foster. It was Foster who illustrated all 60 episodes of ERB's seminal Tarzan of the Apes. And now LOAC Essentials brings you all of Foster's first comics work, reproduced from ERB's syndicate proofs. In addition, this book includes The Return of Tarzan, Beasts of Tarzan, and Son of Tarzan, each drawn by Rex Maxon. All together the first 300 daily Tarzan comics ever produced, all together in a single, affordable package!
LOAC Essentials Volume 7: Tarzan The Original Dailies (Loac Essentials Hc), by Hal Foster, Rex Maxon- Amazon Sales Rank: #851261 in Books
- Brand: Maxon, Rex (COR)/ Maxon, Rex/ Foster, Hal (COR)
- Published on: 2015-06-30
- Original language: English
- Number of items: 1
- Dimensions: 11.50" h x 1.20" w x 4.40" l, 1.38 pounds
- Binding: Hardcover
- 320 pages
About the Author Hal Foster is a Townsend Martin Professor of Art and Archeaology at Princeton University. A co-editor of October magazine and books, he is the editor of The Anti-Aesthetic, and the author of Design and Crime, The Return of the Real, Compulsive Beauty and The Art-Architecture Complex.Hal Foster is a Townsend Martin Professor of Art and Archeaology at Princeton University. A co-editor of October magazine and books, he is the editor of The Anti-Aesthetic, and the author of Design and Crime, The Return of the Real, Compulsive Beauty and The Art-Architecture Complex.
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Most helpful customer reviews
3 of 3 people found the following review helpful. Foster's Tarzan is great, the book is good. By Jerry The Foster work is great to see, and the strips were printed from syndicate proofs, so it's likely they're the best reproduction we'll get.But buyers need to know, of the 300 strips included, only the first 60 are by Foster. Maxon getting the majority of the collection is not a fault (it's the reality of the first year), but buyers should be aware. And this is a Maxon collection in more ways than one.Foster drew 5 panels per strip (Maxon only drew 4), and as a result, each Foster strip is reproduced smaller, each panel approximately 2" tall, (each Maxon panel is 2.25" tall). I suspect that is a reduction from the original print size. But whether it is or isn't, isn't the point. The size of the Foster strips is simply too small to do his art justice.2" Is the size Peanuts was printed for years. 2" Works great with a big round headed kid, not so well with Tarzan battling an ape. The Foster panels are beautiful mini illustrations (Foster left the strip because he was so in demand as an illustrator), but because the reproduction is so small, they read like thumbnail sketches. The slightly larger Maxon panels look like he was doing sketchy thumbnails. There is simply more to be seen in the Foster dailies than 2" allows. Times changed and strips changed too, but the size reduction certainly helped kill adventure strips.The format is cutsey, and little more than that. The single strip per page reproduction adds nothing. Let me repeat that:The single strip per page format adds nothing.And the long oblong of a book detracts from ease of use. The long pages attached pull down on the spine. The long pages must also be more carefully handled to prevent folding. This format brings into question the physical longevity of the books themselves, it makes it questionable whether book stores and libraries will want to stock these on open shelves, where accidents will happen (Books have been being printed for 550 years. Does the publisher need to be told that this format isn't going to be well received? Even the comic reprints of the 1960's that used a horizontal format never made the books so long and skinny.)This awkward format is advertised as allowing readers to enjoy the strips as the early newspaper readers did, reading one strip a day. In fact it was the bugaboo of readers that they had to wait to read the next day's strip. Printing daily strips wasn't invented to improve the quality of the strip, it was done to sell papers. To use an advertising technique used to sell papers to package "essential" collections of comics, seems misdirected. If the books were printed three strips a page, I could do the same thing and just read one a day. And if the books were printed 3 per page I'd be able to see more clearly what the artist saw in his studio-- How the dailies interact with each other, and how the story progresses.The paper is soft and off white, very reminiscent of newsprint. That's a plus and a minus. It allows me to see the strips as they might have originally looked, but I'm curious if the paper isn't too thin, too soft (is it acid free?), for the long oblong format.Overall I'm happy with the collection, but mostly because it's the only one I have of these first Foster strips. I'm hoping a larger more essential collection comes along.
4 of 4 people found the following review helpful. Very Rare Tarzan Strips Collected By Stephen Vincent Kempton Thank you Library Of American Comics for this volume. While I have the early Sunday strips in collections from three different publishers , I have yet to find a collection of the dailies.This is a fantastic collection of the very first adventure newspaper comic strip. These strips first appeared over 85 years ago in 1929 and 1930. The original plan was for them to adapt each Tarzan novel separately and sell them each as unique series. The plan included each novel would be adapted over a period of 10 weeks or 60 individual strips. Later in fear of exhausting source material it was decided that they might stretch out continuities past the ten week limit.This volume features the first four novels of Tarzan collected or about a years worth of material.While the Library Of American Comics Essentials was launched with much bravado , I wonder about it's continued success. The wait time between volumes has increased and no future volumes past this seventh have been announced. Also we have gotten two price increases. The list on first volumes was $19.99 , then it was $24.99 , now they are $29.99.Well even at that price I still think they are a perfect format to display an older strip which needs the space. One daily strip to a page is like reading a Hard Cover Collection in which some collector has found pristine original strips and cut out each one and carefully bound them together.The nine page illustrated introduction by Burroughs expert Henry G. Franke III is worth the price of the book alone. He is very insightful and I learned a lot.If I have one complaint with this volume is that it could have been enlarged even more. Each daily was composed of five individual panels each with a paragraph of text under each one. The text is really small by current standards. Just to clarify these early strips just like the Tarzan Sunday's and the Prince Valiant Sunday's feature no word balloons, just text beneath illustrations. Starting with the second novel only 4 panels were used, this made it easier to read.The first adaptation of Tarzan Of The Apes is adapted by Ralph W. Palmer . Palmer in fact adapted all the stories included here. The art was by Hal Foster, who was at the time just another advertisement artist and this was just another assignment. Foster had no realization he would later become the premiere action adventure comic strip artist in the field and it would bring him fame, money and recognition.The 300 panels Hal Foster contributed to the first novel's adaptation are brilliant and rich in details. But since Foster had other advertising work to do another artist was chosen for the second story.The Return Of Tarzan followed after a three month gap. Like the first story it is 60 strips but now a reasonable 4 panels a page. Rex Maxon was the artist selected.If you are familiar with Rex Maxon you have probably have heard stories vilifying him. Poor Rex Maxon was actually a pretty good artist and this volume should rectify that impression. First off he had to follow in the shoes of now legendary Hal Foster and then second because Maxon was not immediately available an artist named Hugh Hutton ghosted the first strips. Burroughs and his artistic son Jack hated these first strips and would spend a lot of time trying to get Maxon removed from both this and the later Sunday Tarzan strips. Neither realizing that their initial impression was based on art that was not even Maxon. The introduction says Maxon tried to correct Hutton's art. The first daily to carry Maxon name was episodes six.Maxon art continued to improve on the third and fourth novels adapted here. It should be noted that from Maxon's start there would be no more three month wait between adaptations. One would finish on a Saturday and come Monday a new adventure would start.With Burroughs permission The Beasts Of Tarzan was 84 dailies while The Son of Tarzan ran 96 dailies.With this volume finished we still have decades full of Tarzan dailies that deserve to be reprinted. I have high hopes for the success of both the LOAC Essentials format and the continuation of Tarzan.My Highest Recommendation.
1 of 1 people found the following review helpful. Illustrated Retelling of First Four Novels By David Swan At 320 pages it probably sounds like a lot of material but given the dimensions of the book I was unsurprised to find but one single strip per page. If Russ Manning is the Omega of Tarzan comics Hal Foster and Rex Maxon are the Alpha. This collection goes all the way back to 1929, the very first Tarzan strips, and it’s quite a bit different from what I had expected regarding content. At the beginning each strip consisted of five 2 1/8” panels that sit above a paragraph of text. There is never any text within the illustrated panel itself. It’s basically an illustrated story rather than a comic strip that most people think of. When Rex Mason takes over in June 1929 he switches to four larger panels but continues to add illustration to a block of text.These are not original stories but are rewritten versions of the first four Tarzan novels including Tarzan, The Return of Tarzan, the Beasts of Tarzan and the Son of Tarzan. I have read all four novels and besides the first they are not among my favorites. Burroughs hit his stride a little bit later in the series and I consider the Beasts of Tarzan and the Son of Tarzan to be two of my least favorites. The art here is extremely rough and I know that Foster and Mason are capable of cleaner images. Part of it may be the antiquity of the drawings and I have to wonder if they are reduced in size. Both Foster and Mason went with a very realistic style which I appreciate. Although rough both artists do an excellent job on drawing animals and forest including an impressive usage of light and shadows.All in all you get a little over a year of comics including complete retellings of the first four novels. I would consider this more of an historically significant collection rather than a source of great enjoyment. This is near the dawn of newspaper comics and the awkward storytelling is more of an artifact of the period although by this point other comics like Gasoline Alley and Popeye and adapted to the comic strip medium much better. As someone who owns the Russ Manning collection and the Tarzan comics of Burne Hogarth I don’t regret getting another take on Tarzan and I think the current price is reasonable for what you get.I’m not deducting a star for this but I really wish Amazon would stop being so damn lazy with their packing. I appreciate the low prices but when you throw a loose book in a box and deliver it hundreds of miles it’s going to get wear on the edges.
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