Authorship Roles in Popular Music: Issues and Debates, by Ron Moy
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Authorship Roles in Popular Music: Issues and Debates, by Ron Moy
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Authorship Roles in Popular Music applies the critical concept of auteur theory to popular music via different aspects of production and creativity. Through critical analysis of the music itself, this book contextualizes key concepts of authorship relating to gender, race, technology, originality, uniqueness, and genius and raises important questions about the cultural constructions of authenticity, value, class, nationality, and genre. Using a range of case studies as examples, it visits areas as diverse as studio production, composition, DJing, collaboration, performance and audience. This book is an essential introduction to the critical issues and debates surrounding authorship in popular music. It is an ideal resource for students, researchers, and scholars in popular musicology and cultural studies.
Authorship Roles in Popular Music: Issues and Debates, by Ron Moy- Amazon Sales Rank: #1958795 in Books
- Published on: 2015-06-28
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .40" w x 5.90" l, .0 pounds
- Binding: Paperback
- 184 pages
About the Author
Ron Moy is Lecturer in the School of Media, Critical and Creative Arts, at Liverpool John Moores University, UK.
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Most helpful customer reviews
0 of 0 people found the following review helpful. More to authorship than the "author"! By PappaWildcat The concept of authorship in popular music has become paramount since the mid-1980s: Just think of the "Blurred Lines"/Marvin Gaye case or the continued contesting of "Happy Birthday to You" as not in the public domain to cite just two recent examples. But as Moy convincingly shows in this sweeping study, there is more to authorship than who wrote a song: The role interpreters make in a cover version, the distinctive sound space of a studio, the contributions of session players--all are different forms of authorship. What I especially like about this book are the issues it raises and the variety of the examples used. This is a very interesting read for pop music fans, and it would be a great resource for a graduate college course in popular music studies. Very highly recommended.
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