Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity, by Allyson Nadia Field
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Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity, by Allyson Nadia Field
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In Uplift Cinema, Allyson Nadia Field recovers the significant yet forgotten legacy of African American filmmaking in the 1910s. Like the racial uplift project, this cinema emphasized economic self-sufficiency, education, and respectability as the keys to African American progress. Field discusses films made at the Tuskegee and Hampton Institutes to promote education, as well as the controversial The New Era, which was an antiracist response to D. W. Griffith's The Birth of a Nation. She also shows how Black filmmakers in New York and Chicago engaged with uplift through the promotion of Black modernity. Uplift cinema developed not just as a response to onscreen racism, but constituted an original engagement with the new medium that has had a deep and lasting significance for African American cinema. Although none of these films survived, Field's examination of archival film ephemera presents a method for studying lost films that opens up new frontiers for exploring early film culture.
Uplift Cinema: The Emergence of African American Film and the Possibility of Black Modernity, by Allyson Nadia Field- Amazon Sales Rank: #701868 in Books
- Brand: Field, Allyson Nadia
- Published on: 2015-06-08
- Original language: English
- Number of items: 1
- Dimensions: 8.86" h x .49" w x 5.99" l, .0 pounds
- Binding: Paperback
- 344 pages
Review "Even before The Birth of a Nation, African American filmmakers envisioned cinema as a means of presenting a new image of black culture in the USA. With peerless archaeological research, Allyson Nadia Field excavates the roots of African American film within a rhetoric of social uplift. Offering more than a prologue to later black filmmaking, Field reveals the origins of an alternative film culture based in ideological address and political rhetoric, as cinema forged an effective political voice." (Tom Gunning, author of The Films of Fritz Lang: Allegories of Vision and Modernity)"A significant and remarkable book, Uplift Cinema revises African American cinematic history. Allyson Field's illuminating scholarship and close reading of primary archival sources will compel historians to reimagine how the history of black cinema is told." (Maurice Wallace, author of Constructing the Black Masculine: Identity and Ideology in African American Men's Literature and Culture, 1775-1995)"Undaunted by the profound lack of surviving films, Allyson Nadia Field deftly excavates the rich discursive history of how African Americans mobilized and fine-tuned the rhetoric of uplift in the context of visual culture. Uplift Cinema is an essential mapping of the ideological, economic, and aesthetic tensions structuring the emergence of Black American film production and exhibition, and a vital account of Black participation in the history of industrial filmmaking." (Jacqueline Najuma Stewart, author of Migrating to the Movies: Cinema and Black Urban Modernity)
About the Author Allyson Nadia Field is Assistant Professor of Cinema and Media Studies at the University of California, Los Angeles.
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2 of 2 people found the following review helpful. Scholarship as creative adventure By Kevin McMahon Like an archaeologist—or, more precisely, a philologist—Allyson Field has sought out and examined all the extant evidence of the very earliest African American films—most of which have been lost. The book is a detective story as much as a work of scholarship. But the legwork and industry wouldn’t amount to much without judgment, critical acuity and imagination. Field brings a lost body of work back into focus.
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