What's Going On? 1969-1974, by Ken Light
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What's Going On? 1969-1974, by Ken Light
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When we think of the 60s today, we may conjure a young girl topless and high on LSD, dancing to wild rock and roll music. But those years weren t at all like that for much of America. Our visions of this time often come more from imagination than from reality. What was really going on? In that era, America was deeply divided and at war with itself. The flamboyant, glamorous myth of a whole generation seeking freedom is so much more appealing to our idea of ourselves as Americans that we are ever reaching toward the new, throwing off the old. But there was a very gritty side to those years, too. It took great struggles to right injustices and move our culture toward a more egalitarian society. Enormous strides were made, but with the abruptness of an earthquake relieving pent-up pressure along a fault line and often, seemingly, with just as much disruption. Yet at the same time, daily life continued apace for many: school days and playtimes, barbecues and roller rinks, front porches and days at the beach. These pages offer a portrait of America the way it really was for me as I lived it and documented it from 1969, when I turned 18 and first began to identify myself as a photographer, through President Nixon s resignation in 1974, which many consider the true end of the decade. For those of us who were there, this portrait will spark thoughtful remembrances. For those who were not there, it will add to your understanding of our collective history. This was a time in America we should not forget. It was a time when young Americans saw much promise and felt that fundamental change was possible. It was a time when young people could dream of a better world.
What's Going On? 1969-1974, by Ken Light- Amazon Sales Rank: #1283757 in Books
- Published on: 2015-10-30
- Binding: Hardcover
- 196 pages
About the Author Ken Light's work has appeared in nine books, magazines, exhibitions and numerous anthologies, exhibition catalogues and a variety of media, digital and motion picture. His books include: Valley of Shadows & Dreams (Heyday Book, 2013) Coal Hollow (University of California Press, 2006)) Texas Death Row (University of Mississippi, 1997) Delta Time (Smithsonian Institution Press, 1995). To The Promised Land (Aperture 1988) With These Hands (Pilgrim Press 1986) In the Fields (Harvest Press 1982) Witness In Our Time: The Lives of Social Documentary Photographers (Smithsonian Institution Press, 2000 and 2010) He has exhibited internationally in over 225 one-person and group shows, including one person shows at the International Center for Photography, Oakland Museum of California, San Jose Museum of Modern Art, Visual Studies Workshop, Visa pour L image Perpignan (France), International Fotoage (Germany), S.E. Museum of Photography, Yerba Buena Center S.F. and Smith College. His work is part of numerous collections including the San Francisco MOMA, the Houston Museum of Fine Arts, the International Center of Photography and the American Museum of Art at the Smithsonian, Library of Congress, Helmut Gernsheim Collection and many others including private collections. He received two National Endowment for the Arts Photographers Fellowships, a N.E.A survey and publication grant, the Dorothea Lange Fellowship and a fellowship from the Erna and Victor Hasselblad Foundation as well as grants from the Soros Open Society Institute, the American Film Institute, the California Arts Commission, International Fund for Concerned Photography, the Rosenberg Foundation and the Max and the Anna Levinson Foundation. He is the Reva and David Logan Professor and curator of the Center for Photography at the Graduate School of Journalism at the University of California Berkeley, and was the 2012 Laventhol Visiting Professor at Columbia University Graduate School of Journalism.
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5 of 6 people found the following review helpful. Outstanding trip back in time through a mix of well-done ... By BlkWhiteFilmPix Outstanding trip back in time through a mix of well-done black and white photos along with Mr. Light's FBI file.
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