The Phantom of the Opera, by Philip J. Riley
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The Phantom of the Opera, by Philip J. Riley
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The silent movie version of The Phantom of the Opera that we are familiar today is not the original 1925 release but a silent version of the 1929 sound remake. Directed by Rupert Julian and starring Lon Chaney, Sr. in the title role as a deformed musician haunting the Paris Opera House, committing murder, and terrorizing the owners and producers in a pathetic and terrible attempt to earn the love of a famous opera singer. Stars included Mary Philbin, Norman Kerry, Arthur Edmund Carewe, Gibson Gowland, John St. Polis, and Snitz Edwards. The last surviving cast member was Carla Laemmle, who was the niece of Universal Studios’ producer Carl Laemmle. In this new illustrated book, follow the history of the 1925 original release from Gaston Leroux's original conception to the 1929 sound remake. What actual events inspired the story? What inspired Chaney's makeup? What was in the hour of footage cut from the film’s release that was considered too horrible for audiences in 1925? Contributions by Mary Philbin (Christine), Ray Bradbury, Ron Chaney, Carl Laemmle Junior, Charles Van Enger (cinematographer), Rupert Julian, Virgil Miller (cinematographer), Ben Carré (Art Director), and Patric Leroux. Includes a short biography and bibliography of Gaston Leroux by Francis Lacassin, and a facsimile of the original May 1931 Liberty magazine five-part article, "Lon Chaney, A Portrait of the Man Behind the Thousand Faces," by Adela Rogers St. Johns. "Each page is filled with documented information that will change a few history books. You almost get the feeling that you are part of the Golden' years of Hollywood." –Ray Bradbury "It looks as if this volume of The Phantom of the Opera will be the only record for the rest of time if the original release of 1925." –Ron Chaney
The Phantom of the Opera, by Philip J. Riley- Amazon Sales Rank: #2246738 in Books
- Published on: 2015-06-15
- Original language: English
- Dimensions: 11.00" h x .82" w x 8.50" l,
- Binding: Paperback
- 362 pages
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Most helpful customer reviews
1 of 1 people found the following review helpful. Vintage Lon Chaney and The Phantom of the Opera Film By Christine @ Constantly Moving the Bookmark * I received this as a free ebook from Netgalley in exchange for an honest review. *The popularity of the stage production of “The Phantom of the Opera” has definitely introduced the classic story to many people who may otherwise not have bothered with Gaston Leroux and his “little book”. I know I would not have picked it up years ago had I not gone to a production of “The Phantom” at the theater. Probably even lesser known is the 1925 film version starring Lon Chaney.This book is the history of that film and it does not miss a step. If you are left with a question after reading through this I cannot imagine what it might be.This book gives the reader detailed notes on the reconstruction of the film, a preface by Ray Bradbury, a forward by Mary Philbin (who played the part of Christine Daae) and an introduction by Ron Chaney (Lon Chaney’s great-grandson). Then Mr. Philips goes on with a written description of how the film came into production including some of the trial and tribulations of bringing it to the screen in the 1920’s – before CGI and today’s special effects masters. This section of the book contains photographs and sketches as well as tidbits about the behind the scenes production of silent movies in general. For instance, did you know that “Silent films were often tinted various colors to represent moods: red = fire, desert blue = night and mystery, green = underwater, dark emotions and yellow = happy scenes”? There is even a reproduced page including the signatures (autographs?) of all the principals involved in the film.There are so many gems in this book that if I continued on in this vein this review would be as long as the book itself. Suffice it to say that it also contains:- Step by step pictures of the construction of the elaborate film set- Secrets behind Mr. Chaney’s make-up complete with transformation photos- The shooting script complete with annotations- Stills from the film- A complete publicity section with reviews, newspaper articles and promotional materials and,- A “Liberty” article about Mr. Chaney (A Portrait of the Man Behind a Thousand Faces) written by Adela Martin St. JohnsAlthough I do not suggest it – even if you were to skim over every typed word in this book it would be worth picking it up just to flip through pages and enjoy the marvelous vintage pictures and artwork.This book will definitely be on the gift list for two people in my life. My BFF who covets all things “Phantom” and my daughter who, by hobby as well as profession, is enamored of all things “film”. Of course I received the ebook version and have seen it listed as a paperback on Amazon.com. I think it would be a brilliant “coffee table” book.When I picked this book I did not realize it was part of a series on the classic/vintage films produced at Universal Studios. Now I definitely have to have peek at some of the others … in particular “Dracula”
1 of 1 people found the following review helpful. Fascinating book for casual fans to students of the form By Earl This is a phenomenal book about not just the making of the silent film The Phantom of the Opera but about the background of the book and the machinations of the silent film industry of the time.The information within the text of the book would alone warrant recommendation, for there is a wealth of information within that narrative. The wealth of photographs, drawings, news clippings as well as a copy of the 1925 shooting script makes this as valuable as it is entertaining.This is obviously a must read for fans of the film, horror films in general and film history (especially the silent era). Due to the rich resources included it is also valuable for Chaney fans and readers who love the original novel. I also think that even though the making of the film was almost a century ago current filmmakers could gain some insight to aspects of filmmaking that perhaps get overlooked with today's technical advances but are still essential to good storytelling in a visual form.Reviewed from an ARC made available by the publisher via NetGalley.
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