Argentinian Tango And Folk Tunes For Accordion: 36 Traditional Pieces Book/Cd (Schott World Music), by Pete Rosser, Ros Stephen
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Argentinian Tango And Folk Tunes For Accordion: 36 Traditional Pieces Book/Cd (Schott World Music), by Pete Rosser, Ros Stephen
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Argentinian Tango And Folk Tunes For Accordion: 36 Traditional Pieces Book/Cd (Schott World Music), by Pete Rosser, Ros Stephen- Amazon Sales Rank: #3622259 in Books
- Published on: 2015-06-14
- Original language: English, German, French
- Number of items: 1
- Dimensions: .50" h x 9.00" w x 11.90" l, .93 pounds
- Binding: Paperback
- 108 pages
Where to Download Argentinian Tango And Folk Tunes For Accordion: 36 Traditional Pieces Book/Cd (Schott World Music), by Pete Rosser, Ros Stephen
Most helpful customer reviews
1 of 1 people found the following review helpful. disappointing overall By Frugal Since the word tango is prominent in the title, you'd expect there to be a lotof tangos in this book of 108 pages. Sadly, not so. Of the 36 pieces only eightare tangos and 5 are milongas. And what about the word "traditional" in the title?Two of those few tangos and three of the milongas were composed by contemporaryBritish musicians (including the editors). Perhaps these are "in the Argentinian style"or have characteristics that justifies their inclusion in a collection of "traditional"pieces, I don't know. I would have preferred older compositions. [Later. At least oneof the modern pieces is really good, however.]Why include "El Choclo"? This is one of the most familiar tangos of all. The notes don't tell us.I give them credit for including "El Entrerriano" ("the man from Entre Ríos"), which they say isthe "first published tango, written in 1887." It is a muchmore elaborate statement of the piece than the earlier sheet music.I am also puzzled as to why the editors chose to publish the tangos in 4/4 rather than 2/4(as so many of the early tango imprints are). Go to todotango.com and look at the digitized tangosheet music. By far the most of them are in 2/4, while a few are in 4/8. Issuing them in 4/4--evidently amodern treatment--gives the pieces a stretched-out look. I don’t see what is gained by convertingold tangos in 2/4 to 4/4? Perhaps this explains some of the difficulty with rhythmexperienced by another reviewer. I found it so too.Even some of the "folk tunes" are composed by the editors! I freely admit that I knowabsolutely nothing about Argentinian folklore. But all but two of these "folk tunes" are in 6/8 time(the other two are in 3/4). This gets old after a while. If it really is representative of Argentinian folk music,I'd rather play something else. The melodies are occasionally reminiscent of the Andean pan pipes.And there are some rhythmic challenges for the left hand.The printing is not economical of space and many page turns are inconvenient. There are 6 pages ofhelpful notes at the end. I count 15 pieces thathave a part for a second accordion, slightly fewer than half. These second accordion parts generallyfollow the first accordion line closely. I saw nothing more than harmonies, nothing that could be considereda counter-melody or interesting "fill" (except in "El Entreriano”). There no fingerings for either hand, noneof those little lines under a bass note that suggest where to take the note. It's a British publication, after all, so they don't have to follow AAA-approved guidelines.I got a fresh used copy and did not pay full MSRP, but I would not buy it again. I think I prefer to find olderaccordion arrangements for accordion and to check those against the early imprints that can be found in todotango.comto adjust the bass side. Overall disappointing.
0 of 0 people found the following review helpful. Five Stars By Natasha Pleasure to play. Most pieces are written for 2 accordions, easily adaptable for one player. CD helps with the unique rhythm. Not for the beginner, may be at the end of second year of practice. It will help if you have a teacher, the rhythms of tango (if you not born in Argentina, or Spain) are not easy.
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