This Bird Has Flown: The Enduring Beauty of Rubber Soul, Fifty Years On, by John Kruth, The Beatles
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This Bird Has Flown: The Enduring Beauty of Rubber Soul, Fifty Years On, by John Kruth, The Beatles
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The Beatles' sixth studio album, Rubber Soul , was a game changer. By December 1965, when the album was released, the Beatles had played the first arena rock show at Shea Stadium for 55,000 delirious fans, been awarded MBE (Member of British Empire) medals, and were indisputably the greatest musical phenomenon since Elvis Presley. With their first film, A Hard Day's Night , John, Paul, George, and Ringo laid down the blueprint for everyone who ever wanted to form a group. The movie, entertaining as it was, became an instruction manual for aspiring pop stars of the day on how to play, dress, and act. Richard Lester's 1964 comedy turned out to be the touchstone for every music video that followed. Then, with the release of Rubber Soul , the Beatles created an artistic benchmark to which their peers measured their craft and creativity. Touring the world over two years, the band had grown up fast. Both musically and lyrically their new album represented a major leap. Upon hearing Rubber Soul , Bob Dylan allegedly remarked, "I get it, you're not cute anymore." Newsweek hailed the Beatles as "the Bards of Pop," while critic Greil Marcus claimed Rubber Soul was "the best album they would ever make." For Traffic's Steve Winwood, the album "broke everything open. It crossed music into a whole new dimension and was responsible for kicking off the sixties rock era." In This Bird Has Flown , John Kruth not only analyzes the songs and making of Rubber Soul , putting the album in context of the turbulent times in which it was created, but captures the spirit of musical innovation and poetry that makes the record a standout in the Beatle's canon.
This Bird Has Flown: The Enduring Beauty of Rubber Soul, Fifty Years On, by John Kruth, The Beatles - Amazon Sales Rank: #502180 in Books
- Brand: Hal Leonard
- Published on: 2015-10-01
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .60" w x 6.00" l, .0 pounds
- Binding: Paperback
- 216 pages
This Bird Has Flown: The Enduring Beauty of Rubber Soul, Fifty Years On, by John Kruth, The Beatles Review Whether he's playing music or writing about it, John Kruth does so enthusiastically. Kruth...returns to a youthful favorite with ''This Bird Has Flown,'' a detailed look at ''Rubber Soul,'' which the Beatles released on Dec. 3, 1965... While many fans would name the subsequent ''Revolver'' (1966) or ''Sgt. Pepper'' (1967) as the Beatles' best, Kruth identifies ''Rubber Soul'' as the album where the Beatles shifted into a more ambitious mode. (I'd call it the album where the Beatles turned rock song into art song.) The British and American releases of ''Rubber Soul'' were substantially different; Kruth digs into all the songs on both versions, plus the outtake ''12-Bar Original.'' In addition to offering many details about inspiration, instrumentation and lyrical intent, Kruth also provides relevant context about the Beatles's peers, notably Dylan, who influenced them and in turn was inspired by them; the Rolling Stones, whom John Lennon accused of copying the Beatles' innovations; and the Byrds, who listened closely to the Liverpudlians and picked up a few things, such as chiming 12-string guitar. For dessert, Kruth considers many cover versions of ''Rubber Soul'' songs, reminding us of the fabulous Thee Headcoatees take on ''Run for Your Life'' and of Cornershop's "Norwegian Wood.'' You don't need to be a Beatlemaniac to enjoy this friendly book. --Milwaukee Journal Sentinel''Using archive material and some original interviews, [John Kruth] shows why Rubber Soul is structurally, lyrically and sonically the first mature work by these still young men. In doing so, he presents an absorbing series of cross-sections through 60s society on both sides of the Atlantic.'' - MOJO Magazine ''Journalist, musician, and professor Kruth (music, Coll. of Mount St. Vincent) marks the 50th anniversary of the Beatles' 1965 landmark album Rubber Soul, a musically diverse and lyrically mature work reflecting the group's newfound interest in hallucinogenic drugs, Indian music and spirituality, and sonic experimentation. Each song on the British or American version gets its own chapter that is packed with backstory details, lyric and music analysis, and, for most tunes, a brief discussion of both obscure and well-known cover versions. Chapters on Lennon-McCartney classics such as ''Day Tripper'' and ''Norwegian Wood'' are fascinating enough, but the book really shines when Kruth reveals little-known facts about deep cuts such as George Harrison's ''If I Needed Someone'' and the Ringo Starr-sung ''What Goes On.'' Kruth also tells the story behind Rubber Soul's famous sleeve artwork, addresses the various ways the album title can be interpreted, and, in one of the book's best chapters, digs deep into how the Beatles, the Beach Boys, the Kinks, Bob Dylan, and other major pop and rock artists influenced and inspired one another throughout the mid-to late 1960s. [U]nique and insightful...musicologists and readers with a serious interest in the Fab Four will find much here to relish. - Douglas King, Univ. of South Carolina Lib., Columbia --Library Journal''With the release of their sixth studio album, The Beatles created an artistic benchmark by which their peers measured their own craft and creativity. John Kruth not only analyzes the songs and making of Rubber Soul, putting the album in context of the turbulent times in which it was created, but captures the spirit of musical innovation and poetry that makes the record a standout in The Beatles' canon.'' - Music Connection ''The Beatles along with Bob Dylan were the most influential forces in music during the 1960s. And while there was already something fresh and invigorating about The Beatles' early recordings, their creativity leaped during the making of their milestone album, Rubber Soul (1965). New York musician-writer John Kruth recounts the heady excitement of the era in This Bird Has Flown: The Enduring Beauty of Rubber Soul Fifty Years On (Backbeat Books). Kruth, who previously authored biographies of Roland Kirk and Roy Orbison, wrote This Bird Has Flown in a jocular, highly personal style; an adolescent when The Beatles materialized on Ed Sullivan, he has vivid memories of a time when rock music was expected to startle the audience with newness. In This Bird, Kruth examines each of the album's tracks and The Beatles in light of their influences-musical, literary and cultural-as well as those whom they influenced, which was practically everyone.'' --Shepherd Express
About the Author JOHN KRUTH (New York City) has written for the New York Times, Rolling Stone, Wire, and Wax Poetics. His books include Rhapsody in Black: The Life and Music of Roy Orbison (Backbeat Books), To Live's to Fly: The Ballad of the Late, Great Townes Van Zandt (Da Capo Press, 2007, winner of the 2008 ASCAP Deems Taylor Award), and Bright Moments: The Life and Legacy of Rahsaan Roland Kirk. A musician and music professor, Kruth teaches at the College of Mount Saint Vincent and lives in New York City.
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Most helpful customer reviews
8 of 9 people found the following review helpful. Rubber Soul's impact on the pop music world is demonstrated here big-time! It's fun too!! By Edward J. Lucente Since I was born in December1962, I was only 14 months old when the Beatles hit the Ed Sullivan stage in early February 1964, so I always learned about the Beatles through heavy reading (and I mean a lot), plus, of course, by purchasing every piece of vinyl available from Capitol Records and listening my brains out through Cerwin-Vega speakers in the 70s. Even as a 6-year old, I recall vividly making the peace sign out the window of my yellow school bus while singing the AM-version of "Revolution" with classmates in the first grade. Who wouldn't have? We knew how important the Beatles were to music even at such a young age, much like John Kruth did when he watched the Beatles for the first time on Ed Sullivan in February 1964 at the age of 9. Aside from nostalgia, however, I LOVE this book for two reasons: 1) Rubber Soul is my personal favorite from the Beatles, and now I have a much greater understanding of its groundbreaking qualities; 2) John Kruth makes me feel like "I was there" given his rich set of facts. He succeeds in detailing just how exciting, innovative, and fast-changing pop music was in 1965. It's insightful to no-end! I would highly recommend this book to any Beatles fan or 60s rock buff. It will put a smile on your face too! Ed
6 of 7 people found the following review helpful. A must read for any child of the sixties! By elysurf I really enjoyed reading this book! It was well researched, providing a lot of backstory that I really had no idea about. It artfully combined the technical aspects of the creation of the music, the Fab Four's influences, and had great feel for the personalities and times. John's musicianship and writing talent really shine through this book, I couldn't put it down.
8 of 10 people found the following review helpful. Weak Tea By Mr. Geh What a mess. The first thing this book needs is a proofreader. There are numerous errors from the get-go, some easily verifiable (The Lorraine Motel is not across from the Stax Records building) to just sloppy (Dylan's "Subterranean Homesick Blues" album?) There are countless instances, enough to make me doubt the veracity of many observations that may well be true. The author also tends to follow tangents (one minute he's discussing "We Can Work It Out" and the next he's talking about McCartney's bust in Japan. These time-jumps happen every chapter and make little sense). You may get the impression that you're reading what started out as a decent essay but is unnecessarily elongated by just about any Beatle-related tidbit (related or not) that the author could shoe-horn in. From repeating the same anecdote in more than one chapter to many, many tenuous conclusions easily contradicted by far superior sources, this is not a book that will pass muster with serious Beatles fans. It almost reads as if it were written off the top of the author's head (was it?)
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