Cyrano de Bergerac (Nick Hern Book), by Edmund Rostand
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Cyrano de Bergerac (Nick Hern Book), by Edmund Rostand
Free Ebook Cyrano de Bergerac (Nick Hern Book), by Edmund Rostand
Anthony Burgess' energetically witty translation of this well-loved nineteenth-century French classic about the swordsman-poet with the nose too large to be taken seriously.
This translation was first acclaimed in the 1985 Royal Shakespeare Company production with Derek Jacobi as Cyrano. Six years later Burgess provided the sub-titles for the hit film version with Gérard Depardieu, and the sub-titles won as much praise as did the film itself!
Edmond Rostand (1868-1918) wrote several plays which were mightily successful in their time, providing starring roles for the likes of Sarah Bernhardt and Coquelin. But only Cyrano de Bergerac still survives.
Anthony Burgess was the author of over fifty books, among them the novel, The Clockwork Orange, as well as stage plays, screenplays and translations.
Cyrano de Bergerac (Nick Hern Book), by Edmund Rostand- Amazon Sales Rank: #1177907 in eBooks
- Published on: 2015-06-20
- Released on: 2015-06-20
- Format: Kindle eBook
From the Inside Flap Translated by Anthony Burgess.
About the Author Anthony Burgess is the author of many works, including The Long Day Wanes, The Wanting Seed, The Doctor Is Sick, Nothing Like the Sun, Honey for the Bears, and Re Joyce.
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Most helpful customer reviews
10 of 11 people found the following review helpful. The only translation that captures the poetry of Rostand's original By Jack E. Holt, III As time goes on, I am more and more impressed by Anthony Burgess's translation.Most readers and performers are probably more familiar with the translation of Cyrano by Brian Hooker. Hooker's translation has much to recommend it but it fails to capture the poetic power, whimsy or grace of Rostand's play. I feel the Burgess translation better represents Cyrano to a modern reader.One previous reviewer suggested that there was something almost absurd about Cyrano as he is portrayed by Rostand. Burgess himself had qualms about translating the play into rhyme. But this convention is powerful because it suggests that the men and women of Cyrano's dramatic world (even the lackwits) were impressed by cleverness, grace and beauty. It is set out in the play that Roxanne is one of the literary precieuse. The type of cleverness that Cyrano portrays in rhyme would appeal to her.At the same time, Cyrano is not a fop but a man of action whose mind is not stilled even by combat. This translation also shows that Christian's "military wit" was something Cyrano could appreciate for its poetic appropriateness as well as for its courage. I think in some ways Cyrano's chivalry and heroism, as well as the more unrealistic elements of the play, are actually made more vivid and convincing by the use of rhyme.Burgess transports us to Rostand's imagined world of poetry and chivalry directly. . . and does not relent for a moment in portraying it. I think the real Hercule Savinien Cyrano de Bergerac would have appreciated the flair of it all.This version was also used as the basis for a musical starring Chritopher Plummer. The musical, unlike this translation, adapts the play freely at points.
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